Tuesday, March 23, 2021

Bhagat Singh's Martyrdom Day

 Friends,

Here is the momentous news from The Tribune of 25 March 1931 on the three revolutionaries who were executed on 23 March 1931.This priceless cutting has been sent to me by Dr (Prof) Ramakant Agnihotri. I thankfully reproduce it here. With one addition after it.




Very interestingly, Pash  (Avatar Singh Sandhu) (1950-88) a revolutionary poet emerging out of the Naxalite movement in Punjab in the seventies of the last century, a great admirer of Bhagat Singh, was shot dead along with his friend Hans Raj by Khalistani militants on 23 March1988, the day of Bhagat Singh's martyrdom. Here is my translation of a Punjabi poem by Pash which appeared in his first collection of poetry Loh Katha (1970).


BHARAT                                           

 Bharat –

So deserving of my highest reverence!

Whenever this name is uttered

all other names become meaningless.

This name owes its essence

to those who toil in the fields,

and still measure time

by the length of shadows.

They have no other concerns

except their bellies,

and when they are hungry

they can chew their own limbs.

For them life is an empty ritual

and death a release.

Whenever someone talks

of the oneness of India

I feel like tossing up his cap,

and telling him:

The spirit of Bharat resides

not in some Dushyant

but in the fields

where peasants grow food

and robbers break in…

---

 

 T C Ghai






Wednesday, January 6, 2021

Faiz Ahmed Faiz: three poems

 Friends, Here are three poems by Faiz Ahmed Faiz (1911-1984) translated by me. One of these was written in Punjabi and addressed to Punjabi farmers. The other two have been translated from Urdu, and are among his best known poems. The poems are presented in Devanagri script followed by my English translations. The poem addressed to the Punjabi farmer has also been presented in Gurmukhi script.

The poem Tanhaai seems to have some similarities with or reflection of Walter de la Mare's two poems presented after the three poems. Is the similarity incidental? Remember Faiz was a student and then teacher of English literature in the pre-partition India. Walter de la Mare (1873-1956) belonged to a group of poets named Georgian poets majority of whom flourished in the first two decades of the twentieth century. I imagine Faiz must have read Walter de la Mare. But his great poem has a cultural, metaphorical and contextual originality and scintillating rhythm all its own.

The other two poems, 'Today, Come to the Marketplace in Fetters and 'A Song for the Punjabi Farmer' are revolutionary in intent. 


1.

तनहाई

फिर कोई आया दिल-ए-ज़ार नहीं कोई नहीं
राहरौ होगा, कहीं और चला जायेगा
ढल चुकी रात, बिखरने लगा तारों का ग़ुबार
लड़खड़ाने लगे ऐवानों में ख़्वाबीदः चिराग़
सो गई रस्तः तक-तक के हरइक राहगुज़ार
अजनबी ख़ाक ने धुँदला दिये क़दमों के सुराग़
गुल करो शम्‍एँ, बढ़ा दो मय-ओ-मीना-ओ-अयाग़
अपने बे-ख़्वाब किवाड़ों को मुक़फ़्फ़ल कर लो
अब यहाँ कोई नहीं, कोई नहीं आयेगा

                           ---

                     

 Loneliness

 

Did someone come, sad heart? No, no one

Must be a traveler, bound for somewhere

The night has melted, the stardust is fading

In the mansions the sleepy lamps are wearing out

Pathways have gone to sleep ‒ waiting, waiting…

The unwitting dust has buried the stamp of footsteps

Blow out the lamps, put away the wine, the cup, the goblet

Lock the doors of your sleepless eyes

No one, no one will come here now

                            ---               

 2.

आज बाज़ार में पा-ब-जौलाँ चलो

चश्मे-नम जाने-शोरीदा काफ़ी नहीं
तोहमते-इश्क़ पोशीदा काफ़ी नहीं
आज बाज़ार में पा-ब-जौलाँ चलो
दस्त-अफ्शाँ चलो, मस्तो-रक़्साँ चलो
ख़ाक़-बर-सर चलो, ख़ूँ-ब-दामाँ चलो
राह तकता है सब शहरे-जानाँ चलो
हाकिमे-शहर भी, मजम'ए-आम भी
तीरे-इल्ज़ाम भी, संगे-दुश्नाम भी
सुबहे-नाशाद भी, रोज़े-नाकाम भी
इनका दमसाज़ अपने सिवा कौन है
शहरे-जानाँ में अब बा-सफ़ा कौन है
दस्त-ए-क़ातिल के शायाँ रहा कौन है
रख़्ते-दिल बाँध लो दिलफ़िगारो चलो
फिर हमीं क़त्ल हो आएँ यारो चलो
आज बाज़ार में पा-ब-जौलाँ चलो

                 ---

 

 Today, Come to the Marketplace in Fetters

 

Not enough the wet eyes, the angst-ridden life

Not enough the accusations of secret love

Today, come to the marketplace in fetters

 

Come waving your hands, in a drunken dance

Come with dust-laden heads, blood-stained clothes

Come, the beloved city is watching:

 

The city’s hakim, the crowds of people too

The arrows of accusation, the stones of abuse too

The disconsolate morn, the failed day too

 

Who besides us is there to befriend them?

Who now is trustworthy in this beloved city?

Who now is beyond the assassin’s reach?

 

Firm up your heavy hearts, o wounded hearts, come

Come, friends, to let ourselves be murdered

Today, come to the marketplace in fetters

 

                                        ---

 3.


 

ਇਕ ਤਰਾਨਾ ਪੰਜਾਬੀ ਕਿਸਾਨ ਦੇ ਲਈ

ਉੱਠ ਉਤਾਂਹ ਨੂੰ ਜੱਟਾ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ
ਭੁਲਿਆ, ਤੂੰ ਜਗ ਦਾ ਅੰਨਦਾਤਾ
ਤੇਰੀ ਬਾਂਦੀ ਧਰਤੀ ਮਾਤਾ
ਤੂੰ ਜਗ ਦਾ ਪਾਲਣ ਹਾਰਾ
ਤੇ ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ
ਉੱਠ ਉਤਾਂਹ ਨੂੰ ਜੱਟਾ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ

ਜਰਨਲ, ਕਰਨਲ, ਸੂਬੇਦਾਰ
ਡਿਪਟੀ, ਡੀ ਸੀ, ਥਾਨੇਦਾਰ
ਸਾਰੇ ਤੇਰਾ ਦਿੱਤਾ ਖਾਵਣ
ਤੂੰ ਜੇ ਨਾ ਬੀਜੇਂ, ਤੂੰ ਜੇ ਨਾ ਗਾਹਵੇਂ
ਭੁੱਖੇ, ਭਾਣੇ ਸਭ ਮਰ ਜਾਵਣ
ਇਹ ਚਾਕਰ, ਤੂੰ ਸਰਕਾਰ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ
ਉੱਠ ਉਤਾਂਹ ਨੂੰ ਜੱਟਾ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ

ਵਿਚ ਕਚਹਰੀ, ਚੁੰਗੀ, ਥਾਣੇ
ਕੀਹ ਅਨਭੋਲ ਤੇ ਕੀਹ ਸਿਆਣੇ
ਕੀਹ ਅਸਰਾਫ਼ ਤੇ ਕੀਹ ਨਿਮਾਣੇ
ਸਾਰੇ ਖੱਜਲ ਖ਼ਵਾਰ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ
ਉੱਠ ਉਤਾਂਹ ਨੂੰ ਜੱਟਾ

ਏਕਾ ਕਰ ਲੋ ਹੋ ਜੋ ਕੱਠੇ
ਭੁੱਲ ਜੋ ਰੰਘੜ, ਚੀਮੇ, ਚੱਠੇ
ਸੱਭੇ ਦਾ ਇਕ ਪਰਵਾਰ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ

ਜੇ ਚੜ੍ਹ ਆਵਣ ਫ਼ੌਜਾਂ ਵਾਲੇ
ਤੂੰ ਵੀ ਛਵੀਆਂ ਲੰਬ ਕਰਾ ਲੈ
ਤੇਰਾ ਹਕ ਤੇਰੀ ਤਲਵਾਰ
ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ

ਦੇ 'ਅੱਲ੍ਹਾ ਹੂ' ਦੀ ਮਾਰ
ਤੂੰ ਮਰਦਾ ਕਿਉਂ ਜਾਨੈਂ
ਉੱਠ ਉਤਾਂਹ ਨੂੰ ਜੱਟਾ


A Song for the Punjabi Farmer

               

By Faiz Ahmed Faiz

 

(Translated from Punjabi by TC Ghai)

 

Stand straight up, O Jatta

Why this listlessness?

Forgetting you’re the food giver to the world!

Mother Earth is your bondsmaiden

You are the world’s life sustainer

Why do you lie listless?

Stand straight up, O Jatta

Generals, colonels, subedars

Deputies, DCs, Thanedars –

All eat what you grow

If you didn’t sow, if you didn’t harvest

They all would die of starvation

Why this listlessness?

Stand straight up, O Jatta

In the court, at the octroi post, at the police station

Whether ignorant or wise

Whether high or low

All suffer alike

Why this listlessness?

Stand straight up, O Jatta

Unite and come together

Forget who is a Rangad, Cheema, or Chatha

All are one family

If they send armies after you

Sharpen your choppers

Your right, your sword

Why this listlessness?

Strike fear of Allah in them

Why do you lie listless?

Stand straight up, O Jatta

            ---

Two poems by Walter de la Mare


Alone

Walter de la Mare

 

The abode of the nightingale is bare,
Flowered frost congeals in the gelid air,
The fox howls from his frozen lair:
Alas, my loved one is gone,
I am alone:
It is winter.

Once the pink cast a winy smell,
The wild bee hung in the hyacinth bell,
Light in effulgence of beauty fell:
I am alone:
It is winter.

My candle a silent fire doth shed,
Starry Orion hunts o'erhead;
Come moth, come shadow, the world is dead:
Alas, my loved one is gone,
I am alone;
It is winter.

---

 

Some One

 

Walter de la Mare

 

Some one came knocking
At my wee, small door;
Someone came knocking;
I'm sure-sure-sure;
I listened, I opened,
I looked to left and right,
But nought there was a stirring
In the still dark night;
Only the busy beetle
Tap-tapping in the wall,
Only from the forest
The screech-owl's call,
Only the cricket whistling
While the dewdrops fall,
So I know not who came knocking,
At all, at all, at all.

---

Tuesday, November 10, 2020

STREET DOG (GALI KA KUTTA) - A poem, and the Anarchist Tradition

 

Friends,

This poem by me both in English and Hindi might interest you.

                               

                                 STREET DOG

                                       A Poem


  Source:  http://publicdomainpictures.net/pictures/70000/velka/sleeping-street-dog.jpg



 He lies sprawling on the footpath

under the December noon sun

soaked in Nature’s bounty

immobile, eyes shut, as if in deep sleep

 

Untroubled by

the fear of losing his possessions

dictatorial parents

rebellious offspring

a quarrelsome spouse

treacherous friends

backstabbing and betrayals

bouts of loneliness

a god’s wrath

police lawyers taxmen ED CBI 

He lies sprawling on the footpath

at peace with the universe

                  ---

Here is the Hindi version.


गली का कुत्ता

वह चारों टांगे पसार

फुटपाथ पर लेटा है

दिसम्बर की दोपहरी धूप के नीचे

प्रकृति के वरदान में विभोर

निश्चल, आंखें मूंदे, मानो गहरी नींद में

 

एकदम बेफ़िक्र

घरबार लुटे जाने के डर से

मां-बाप के आदेशों से

पति-पत्नी के लड़ाई-झगड़ों से

संतान की उपेक्षाओं से

मित्रों के विश्वासघात से

देवी-देवताओं के प्रकोप से

पोलीस, वकीलों, आयकर अधिकारियों  ईडी सीबीआई के डर से

सभी संसारी चिंताओं से विमुक्त

वह चारों टांगे पसार

फुटपाथ पर लेटा है

----

The Anarchist Tradition

Here is Noam Chomsky's view of the anarchist tradition.

The case of anarchist tradition  as I understand it, is that power is always illegitimate unless it proves itself to be legitimate. So the burden of proof is always on those who claim that some authoritarian hierarchic relation is legitimate.

 


Thursday, September 24, 2020

MY CASTE - MY SHADOW SELECTED POEMS: BALBIR MADHOPURI

 Friends, 

Find here the  front and back  covers of my book of translations into English of well-known Punjabi Dalit poet Balbir Madhopuri (born 1955-) published this month. The book is available with the publishers. It would be available on Amazon shortly. 

Balbir Madhopuri came into prominence with the publication of his autobiography Chhangiya Rukh (The Lopped-off Tree) in Punjabi in 2002 which was later translated into English and published by OUP in 2010 as Changiya Rukh : Against the Night - An autobiography  and also into Hindi and Urdu and is being translated into Russian. He has published three books of poetry apart from  from some prose writings and translations into Punjabi from other languages. The  present selection has been made from his  published Punjabi  poetry collections and a few unpublished poems. He has recently published a work of fiction in Punjabi titled Mitti bol pei (Earth has spoken).  






 

Here are a few extracts from the book.





In Search of Poetry

These days I go

in search of poetry

as someone in the desert should go

in search of a tree.


In our times

poetry has become so insensitive

in truth, lost its way

become empty of social concerns

has forgotten

its proud tradition

of fighting against the throne:

the feeling for the suffering

swings from the hangman’s noose.


In these times, my contemporaries,

poetry has learnt

like a river

to flow within its banks,

like a bullock-cart

to move on the beaten track.


If the mainstream is a dark tunnel

what can live words do?

Meanings can only wear out.

What a turn!


Mother, in your poetry’s sheath

meaning has become

a rust-eaten kirpan.

Words are infected with lecherous worms

like computer virus.

Even then I keep searching

for a weak-bodied, dark-skinned

insignificant man a poem

a civilization like Mohenjo-Daro.


My beloved poetry,

don’t go away from the earth

like a spaceship;

don’t reserve your words

only for love tales;

come back again

like the newly sprouted shoots

on leafless trees,

like dew drops on grass.


These days I go

in search of poetry

as someone in the desert should go

in search of a tree.


xxx




Poetry is Not Mere Words

Poetry is not mere words.

It is

the flight of a man

without wings.


Poetry is not mere words.

It’s the agonizing cry

of a black partridge

snapped up by an eagle

as it flies out of a sugarcane field.

It’s the frenzied outcry

of a deer terrified in the wild.

It’s the story of leaves precariously dangling

from the branch of a tree.


Poetry is not mere words.

It is

the meanings emanating from words

that have lost their character

in the polluted environment;

even then they are

like monsoon showers in the peak of summer,

like stars on a moonless night.


Poetry is not mere words.

It is

the pain of the failure

to conquer the Red Fort of life.

It is the inexpressible story

of the seething waters of a river

that rose and fell.


Poetry is not mere words.

It is

the dance of limpid waters

and waves

struggling against banks

for equality;

roads marching towards a destination.


Poetry of my times,

your words are deadly silent.

This is debasement of their meaning.

Poetry, don’t be a slogan

become a voice;

not burning coal

but cosy wings of a hen

over its shivering-in-cold chicks.


Poetry is not mere words.

It is

the flight of a man

without wings.

xxx




Poetry, Tell Them

Poetry,

tell them who pluck flowers:

Fragrances can’t be shut up.

And tell them

that for cactus to bloom

in the burning sand of the desert

to keep smiling in every season

is its very nature.


Poetry,

speak to Sahiban:

She should not, like the spider, weave

with the strands of her fancies

a golden web around herself

that Mirza will return one day

bringing down the moon

and stars plucked from the skies.


And tell her

he is busy in search of a livelihood,

waiting for electricity beside his tube-well;

and no one knows when

Farhad’s Sutlej-Jamna link canal would flow

and the peasant’s budding crop begin to bloom.


Poetry,

tell the fish confined in a bottle

that oceans are infested with crocodiles;

and the colourful fishes

have returned

from across the seven seas

having licked the stones of self-indulgence.


Poetry,

tell the white pigeons

not to behave like parrots;

but when the sky is a cage

to fly away in a flock

against the winds.


Poetry,

tell those insects

it’s better

to fly on rainy-season wings

and be burnt on flames

than to crawl and

be squelched under heels.


Poetry,

tell the tired bull

he should shift the earth

onto the other horn.

xxx




My Caste

My caste is always with me

like my complexion

like my shadow.

We are so rolled into one

I’m nothing

except my caste,

in the city in the village

here or across the seas.


I try very hard to hide, to cloak

wear a hundred masks

but it shows itself

again and again

like the white hair

after the dye has worn off,

like the bodies peeping

through tattered clothes.


I wish to be rid of it

like someone wanting a divorce

but they tell me

impress upon me

this bond stays on birth after birth...

nothing to think about.


Finally

the bow is strung

with arrows of reason,

that pierce both present and past.

Blood boils within

like an earthquake

and then

the gaps seem to be bridging

east-west, right-left.


My caste is always with me

like my complexion

like my shadow.

We are so rolled into one

I’m nothing

except my caste,

in the city in the village

here or across the seas.

xxx







Tsunami Waves

The tsunami waves

swept away many things:

briny rocky shores

living things

sea creatures

trees and humans

beautiful natural landscape.


The waves overwhelmed

even God’s own houses,

of this religion and that religion,

where people passed by awestricken

trembling with fear.


And in no time land became water;

in the blink of an eye

present became past.

People recalled:

‘Death is a great leveller.’

Yet the survivors reversed the tune.

The living labelled the dead:

One high, the other low

one touchable, the other untouchable.


In this way on the seashore

the not-humans were left hungry-thirsty,

bereft of help and hope

in the demonic laughter of the humans.

And the tsunami waves

that had demolished the rocky shores

one and all

could not knock down

the towering walls of hatred

rising in the human hearts.


In the aftermath

on the now calm sea’s wide shore,

let someone reflect

and say:

Let us push our boat

into the sea of humaneness

like the waves embrace each other

merge into each other

catch the poisonous fish.

Come let us play this game.

xxx


T C Ghai






































Thursday, June 4, 2020

Poetry in the Times of COVID-19-VI



Friends

Here is another poem on the subject that is exercising everyone in the world: COV1D-19


It might interest you to  notice that the poem consists of  nine 3-line stanzas with the number of words progressively decreasing from the first to the last.  The first stanza consists of nine-word lines and the last of one word lines. The attempt is to show the progressive diminution of the migrants' identity to nothingness.



                                                  Migrants?

Who is a migrant? Let the Dictionary speak first:   
A person who moves from one place to another,
especially, to find work; or an animal for food.

Do these locked-out beings truly fit this sketch?                                          
Uprooted from work; driven out of their hovels;
herded into pens; let loose like stray cattle.

Scattered like dry leaves by a whirlwind    
Crowding the bus stops and rail stations
 Q-ing for charity food like street bums

 Hungry thirsty; desperate to go home    
 where they await hardly any welcome
 even if they reached there unharmed

 Bundled off by their employers   
 Disowned by the uncaring state
 can they be called migrants?

 What are they now?   
 Are they war refugees?
 Are they stateless now?
     
Having no rights!  
Citizens no more!
Bereft of dignity!
    
 Just non-entities                
 None’s concern
 Just abandoned

Unwanted    
Forsaken
Nothings
             ----