Thursday, September 6, 2018

Premchand's Moteramji Shastri Tetralogy in English translation - story 3

Premchand's Moteramji Shastri Tetralogy in English translation - story 3


PREMCHAND’S MOTERAM TETRALOGY


Premchand wrote four stories in which a character named Moteramji Shastri, a brahmin school teacher, appears in different roles: as a quack Ayurvedic doctor, as a traditional school teacher, as a fake and hypocritical journalist, as a greedy, lascivious, hypocritical and gormandizing brahmin. Premchand uses satire and caricature to ridicule these and some other professions, social practices, rituals and superstitions. Here are the titles of the four stories:


1 मोटेरामजी शास्त्री Moteramji Shastri (Madhuri, January, 1928)


2. मोटेरामजी शास्त्री का नैराश्य Moteramji Shastri’s Heartbreak (Smalochak, March-April, 1928)


3. संपादक मोटेरामजी शास्त्री Editor Moteramji Shastri (Madhuri, August-September,1928)


4. पंडित मोटेराम की डायरी Pandit Moteram’s Diary (Jagran, July,1934)


(The text, dates of publication and names of magazines in which these stories were published for the first time have been obtained from 'Premchand: Kahani Rachnawali', collected and edited by Dr. Kamal Kishor Goyanka and published by Sahitya Akademi, New Delhi.2012) 



 

Here is the third of these stories.

                          Editor Moteramji Shastri



When Pandit Chintmani returned after many months of pilgrimage-travel he went to meet his best friend Pandit Moteramji Shastri. During this long period of travel he had undergone many novel experiences; seen and heard many new things. He was eager to share all this, with certain exaggerations, with panditji. He quickly reached panditji’s residence and as he tried to go in he was challenged by a peon: ‘Who’s going in. Stop. Why do you want to go in?’

   Chintamani asked in astonishment, ‘Isn’t this Moteram’s residence?’

   The peon replied, ‘I don’t know that. But the administrator’s orders are not to allow anyone inside.’

   ‘Who’s is the administrator? Isn’t this Moteram’s residence?’

   ‘I don’t know. But this is the administrator’s order.’

   ‘Tell me who the administrator is.’

   ‘The administrator himself, who else!’

   Chintamani, in utter surprise, looked at the house from top to bottom wondering if he had made a mistake. Just then he saw a big sign board at the door with the writing “Sona Office”. In his eagerness to meet his friend he had failed to see the board. He asked, ‘Is this some office?’

   ‘Don’t you have eyes?’

   ‘Why are you being so rude? Do I look like some beggar? If this is Moteram’s house, then go and tell him that pandit Chintamani has come to see him. Don’t show me this arrogance.’

   ‘Show me your card.’

   ‘What card?’

   ‘Administrator ji doesn’t meet anyone without seeing the card.’

   ‘You go and tell my name.’

   ‘How can I tell your name? He may get angry.’

   When Chintamani realized that his pleading won’t work he stood at the door and started shouting: Moteram, O  Moteram.’

   The peon caught Chintamani by the hand and said, ‘You are not allowed to shout here.’

   Chintamani lost his temper and was about to give the peon a taste of his brahmanical force when Moteramji came out of his house  and on seeing Chintamani said, ‘Arre, You Chintamani! Why didn’t you send in your card. You must have seen the signboard. I’m editor of the magazine named “Sona”. Come in. I don’t see anyone without seeing his card. But you’re an old friend, so there is no bar for you.’

   When Chinamani went inside he found that everything had changed. The small room in which Sona used to sit now contained a few tables and chairs. There was a heap of letters in the kitchen. In the verandah workers were busy writing in big registers.

   When both the friends sat on the chairs Moteramji said, ‘After you went on your pilgrimage I started  this magazine.’

   ‘Then, Sona is the name of the magazine. And you’re its editor?’

   ‘Ever since I started this magazine, the Hindi world has been in turmoil. It’s not even three months since I started it and the readership has already crossed twenty-five thousand. I am getting non-stop orders. The post offices have increased their number of postmen.’

   ‘You're lying, altogether lying. Sixteen-anna lying. Twenty-five thousand! You don’t fear even God? If you had said two thousand five hundred, I would have understood. You don’t know even how to lie.’

    Moteram laughed and said, ‘That’s what others also say. Whosoever hears is astonished. But here everything is done truthfully. Anyone can look at the registers. If you don’t find twenty-five thousand subscribers, you can punish me as you would a thief. And this is only the beginning. And if I don’t increase it to one lakh in a year you change my name. There is no dearth of subscribers. But there is dearth of workers. If you have sincere workers there is no end to subscribers. All this is the result of advertisements. Should I show you the registers?’

   Chintamani replied, ‘You must have done manipulations in the registers. Made false entries. Left many numbers blank. I can believe you are very clever at managing things. I can’t do even one fourth of what you are claiming. But you cannot get the number twenty-five thousand. Where did you get so much money from?’

   ‘Don’t talk of money. It’s all God’s gift. He is one who can help you set up a big business without spending even a cowerie. One should know how to do it. There’s no need to spend a cowerie. I borrowed paper from the paper merchant. Got the printing done on credit. That did it all. If you recover the money, pay back to the paper merchant and the printer, otherwise shut your ears and sit quietly. Who can do anything?’

   ‘Why would the paper merchants and printers give you credit?’

   Moteram laughed and said, ‘That’s another ability, and God’s gift. You can’t acquire it from books or learn it by wrought. You can call it a transference from the previous birth. You know the paper merchant seth Suddhilal at whose home we have feasted to our heart’s fill. He is a devoted person. I asked him. He delivered paper worth five hundred rupees loaded on pushcarts. I don’t have my own printing press. I get the magazine printed from another’s press. I have employed two dozen agents who go  to villages to advertise the magazine. I am very strict with my workers. I get furious if I find them dilly-dallying or malingering. My body burns up with anger. And I feel like eating them raw, without salt. Many have run away. That worked to my advantage because I didn’t have to pay them. I have beaten up many. They shiver with fear in my presence. I need about ten additional agents. If you like you can recommend a few of your friends. It’s profitable work.’

   ‘There are hardly any among my friends who would tolerate your unscrupulous ways. If you show your fists they would take you on. But tell me how are you able to edit the magazine?’

   ‘How do I edit! By using my intelligence, what else?’

   ‘You were never very intelligent.’

    ‘It’s beyond you to judge my intelligence. Only a donkey like you can question the intelligence of a person who, without spending any of his money, has set up this office, become the editor of such a big magazine that is famous all over the country.’

   ‘This is crookedness, not intelligence.’

   ‘Oh! You may call it crookedness, or deceit, or cunning, but in my dictionary it is intelligence. Let any great scholar send me his article, I shall certainly make a few alterations. I always use the red ink at a few places. This overawes the scholars. I have engaged two-three translators. They translate articles, and comments from languages like Bangla and Gujarati. These I use in my editorials. They don’t contain the author’s name. So people believe that Shastriji himself has written them. Who has the time to investigate my writings? I have  discovered, after a long time, the formula for worldly success. But I won’t disclose it to you.’

   ‘Friend, why this secrecy from me? I have always treated you as my Guru and even now consider you as my elder brother. And you are being stingy with me.’

   ‘Ok, promise you will bring 100 subscribers for the magazine.’

   ‘Have I ever refused to carry out your will?’

   ‘Ok, then listen. That magic formula is to brag. Don’t ever care if people disbelieve you, or make fun of you. After you are gone they would reflect on what you have said and admire you even if they conclude that just one percent of what you have said is true. Just hook the earth and the sky together. Don’t show the subscriber number to be less than one lakh. Loudly proclaim that you have planned to engage western authors. Make your pictures and write-ups look unique and you would see how the subscribers are trapped. You hesitate a little bit and you are gone. Forget for a moment who you are and believe that what you are claiming is the literal truth. You haven’t seen my magazine. There are many articles on social reform.’

   ‘On social reform? When did you become a social reformer? You never spend money to buy puris from the bazar.’

   ‘Don’t question what I eat and how I live. When I enter this room I become a hardcore social reformer. And elsewhere at home I become sworn enemy of social reforms. You would be surprised to know that I have supported widow remarriage, removal of uuntouchability and the Shuddhi movement. In my heart I believe the Hindu Samaj would sink into the underworld as a result of these reforms, but I have to bring up my children.’

   ‘Friend, you are such a crook. I must admire your intelligence.’

   ‘Keep watching. Now I shall give an advertisement that there would be twelve special issues of the magazine. I shall mention the names of the greatest names of the world as their editors. One issue would be edited by Dr. Tagore, another by Dr. Iqbal, another by Shankaracharya, another by Mussolini, another by Kaiser and another by Lloyd George. Then you will see how this advertisement creates an upheaval.’

   ‘And if these great men refuse to give their consent?’

   ‘This is a fact. They won’t agree. But the person who becomes a subscriber under this deceit won’t come to ask for a refund. Next year I shall let off another sparkler.’

2   
While they were talking about the magazine, Sona Devi came there as if dancing. Chintamani was surprised to see a strange brightness on her face. The moment Sona saw Chintamani she said, ‘Oh, lala, you are coming after a long time. Have you put us out of your mind?’

   ‘Oh no bhabhiji, I had gone away on a pilgrimage. One should think of the life-hereafter too.’

   ‘Arre, you’re not so old that you should start worrying about your life-hereafter. You’re not even fifty as yet. And your bhaiya has contracted a new obsession. I tried to persuade him not to get into this chicanery, telling him we’ll get sitting at home what God has destined for us. But the truth is he does not listen to anyone. He does not have even five hundred buyers for the magazine and he is shouting he has twenty-five thousand.’

   Moteram said angrily, ‘Who called you here to ride on my head like a daiyan? Go inside.’

   Chintamani said, ‘What? Not even five hundred buyers yet. He’s telling me he has twenty-five thousand.’

   Sona replied, ‘He’s barking. Fakery is his lifeblood.’

   Moteram asked her, ‘Won’t you leave this place?’

   Sona replied, ‘Not at all. Let me see what you do. You can’t dictate things to me, mind you. You’re cheating the world. You cheat. Don’t show me your eyes. I’ll gouge them out. Today I’m bursting with anger. Aren’t you ashamed that in your magazine you should plead for widow marriage. There’s a widow at home, your own sister. Why don’t you marry her off?. Show me your twenty-five thousand customers. He is showing everyone a ‘rujtter’ with false entries. Lala, what should I say about his habits? He has now started drinking.’

   Chintamani was shocked, ‘Arre, really? Rama, Rama.’

   Moteram shouted at his wife, ‘I shall strangle you.’

   Sona continued, ‘Rama alone knows, he drinks. Empties a whole bottle. He goes to the English liquor shop like a thief and runs back home hiding a bottle in his pocket. A real thief. Says drinking enhances intelligence. Helps digestion. Gives pleasure. Cast your pleasure into fire. His devilish intelligence has become so big that it is everywhere. Because of this the whole house is stinking.’

   Chintamani questioned Moteram, ‘Friend, what is this?  You were addicted to bhang. Wasn’t that enough?’

   ‘Arre, let her bark. She’s out of her senses.’

   Sona retorted, ‘Just shut up, or else I shall rip open all your misdeeds. Lala, I don’t know why God has brought him to this ruin. Now he is running after three other women. His eyes are not open even after the thrashing he got at the Rani’s place.  He is parading as an editor, has become a social reformer, has become a guide for others, become a preacher, and see what he himself is. He owes five hundred rupees to the paper merchant. The printer is out to bring his house down and he is lost in fun and frolic.  And it is  me who is dying out of worries.’

   Chintamani said, ‘I don’t think this is true, bhabhiji. I had never been fed on so much salt.’

   Sona arched her eyes towards him and said, ‘There are three sitting at home. Haven’t you had your heart’s fill of salt by looking at them? I tell you. Don’t argue with me or you will get back a hundred for one. Now I will show the crookedness of this Moosarchand. The real ‘rejtter’ he has hidden in the small room where no one can see it. Come...’

   Chintamani wanted this very thing. He got up quickly, but Shastriji was quite alert. He caught Chintamani by the hand. Poor Chintamani was in trouble. On one side Sona was pulling his hand towards herself with full force and on the other side Moteram was using all his force. Chintamani felt as if both his arms were being pulled apart and he started shouting.

   ‘Ok, lala, you keep holding his hand. I’m bringing the ‘rejetter’. Don’t let him go.’ Sona said to Chintamani. Saying this she walked into the small room.

   And here both the friends began to wrestle.

   Moteram said, ‘I shall break your bones.’

   Chintamani retorted, ‘I shall bury you under.’

   ‘Shall grind you into powder.’

   ‘Shall turn you into chutney.’

   Both the friends were displaying the bravery of their words, lying on the ground. And Sona was showing the register of subscribers to Chintamani. Chinta saw that 480 was the last figure. He said. ‘Why, friend, you were taking me for a ride. Shall I catch you by the neck just for this?’

   Moteram said, ‘This woman is the product of my sins in the last birth, that’s all.  Now let it go. You have seen all. Now my reputation is in your hands. Don’t reveal anything to anyone.’

   Chintamani replied, ‘No. friend, I’m not such a fool. But I must ask for one thing. You will have to put my name too on the patrika. We both would be its editors. You may put your name on top, but put my name under it. Do you agree?’

   Motram said in a serious tone, ‘Yes, I agree.’
                                                        ---  
(Hindi, Madhuri, August-September,1928)



Monday, August 13, 2018

Premchand's Moteramji Shastri Tetralogy in English translation - story 2


Premchand’s Moteram Tetralogy


Premchand wrote four stories in which a character named Moteramji Shastri, a brahmin school teacher, appears in different roles: as a quack Ayurvedic doctor, as a traditional school teacher, as a fake and hypocritical journalist, as a greedy, lascivious, hypocritical and gormandizing brahmin. Premchand uses satire and caricature to ridicule these and some other professions, social practices, rituals and superstitions.Here are the titles of the four stories:


1 मोटेरामजी शास्त्री Moteramji Shastri (Madhuri, January, 1928)


2. मोटेरामजी शास्त्री का नैराश्य Moteramji Shastri’s Heartbreak (Smalochak, March-April, 1928)


3. संपादक मोटेरामजी शास्त्री Editor Moteramji Shastri (Madhuri, August-September,1928)


4. पंडित मोटेराम की डायरी Pandit Moteram’s Diary (Jagran, July,1934)


(The text, dates of publication and names of magazines in which these stories were published for the first time have been obtained from 'Premchand: Kahani Rachnawali', collected and edited by Dr. Kamal Kishor Goyanka and published by Sahitya Akademi, New Delhi.2012) 


 

Here is the second of these stories.






Moteramji Shastri’s Heartbreak


1
Just as a barber is addressed as thakur, a chamar as chowdhry and a sweeper as jamadar, Ghasita , the  grocer was addressed as seth. Although Ghasita himself was illiterate, he was obsessed, like other illiterate fathers, with the idea of adorning his son with education. After great hard work of many months he had taught his son how to count up to hundred, but one needed a guru  to teach the alphabet. He had been postponing this idea for many months out of miserliness but today he had decided to have his son initiated into learning. He had already enquired about the auspicious day. He said to sethani, ‘The offering for initiation won’t be less than a rupee!’

The sethani retorted, ‘Why one rupee? Is it robbery? One rupee to teach a few letters! To which pandit would you go?’

‘My heart is fixed on Moteram. There are many pandits, but Moteram is special.’

‘Then why pay him a rupee? Feed him a bellyful of ladoos.’

‘Would he eat ladoos worth less than four rupees? It is much better to pay one rupee and be finished with him.’

So it was decided. The sethani gave the boy a bathe, dressed him, put gold bangles on his wrists, gold earrings in his ears, silver rings on his feet, and a black mark on his forehead for good luck. And sethji wore his kurta, wound the turban round his head and forced his feet into his shoes after softening them with water. When the boy saw his father wearing shoes he insisted on having a pair for himself. The expense of one rupee was already staring in his face and now this demand! Sethji lost his temper and slapped the boy and dragged him towards the guru’s residence.


2
Worship of gods never goes unrewarded. Then why would Pandit Moteramji’s prayers be not answered? His prayers could reach not only the gods but also their spouses. He was regularly in demand now for determining the auspicious time and day, now for preparing the year’s predictions, now for matching the horoscopes. Sometimes he was invited for recitation of goddess Durga’s devotionals. We cannot say whether or not panditji was a pleasure seeker. His heavy-built did not seem to support this tendency but his wife Sonadevi did not like such invitations and would on such occasions warn him not to cross any limits. Pandit was so sweet-tongued, so affable and knew so many mantras to please women that no pandit stood any chance before him. For these very qualities panditji had been appointed a teacher in a school on thirty rupees a month. 

But on becoming a teacher panditji faced a dilemma. He became reluctant to accept commonplace invitations. The moment he reached the school he would get all the news from the town: about persons to be initiated into learning, about shradhs, about marriages. Panditji consoled himself by sending his sons as his representatives. The teaching job and the prestige associated with it were proving to be very costly. That’s why sometimes he would speak to his wife with some irritation, ‘I’ll quit this job. Is it work or punishment? If I have to live on just bread and dal, I would quit this world quite soon. I am already losing weight.’

But Sonadevi would pacify him somehow. And poor Moteram had to be satisfied just by talking about the palatable dishes. He would rest content because here in the school he did not have to do any work. The boys in the senior classes taught the boys in the junior classes. Panditji had to teach just one boy in the senior most class and this student gave him the least trouble.

3
When Ghasita, carrying his son on his shoulders, reached the school, panditji was lying on his seat with his head reclining against a long cylindrical pillow, a few of his students kneading his plump body with their fists. One student was massaging the soles of his feet. Two were fanning him and one was oiling his head. Panditji was delivering a lecture on poetics: ‘Just as there are eight rasas in the palate and sweetness is the prinicipal rasa among these, there are nine rasas in poetry and shringar is the highest among them. Just as there are many varieties of foods displaying the sweetness rasa, in the same manner there are many varieties of heroines; and just as motichoor ladoos are the best among sweets, in the same way mughdha is the top most among heroines. And mughdha is my favourite.’

Just then Ghasita came in and lay flat on the ground in salutation before Panditji.

Panditji said, ‘My blessings. My blessings. Tell me seth, what brings you here? Is he the younger seth?’

‘Yes, maharaj. He’s your slave. I wish to have him initiated.’

‘Oh yes. Why not? There’s nothing greater than knowledge.’

“That’s why I have come to you, maharaj. Bless him so that he acquires some learning.’

‘You need the blessings of gurus. You will have to make an expense.’

‘I’m ready to spend, maharaj.’

‘Yes, yes, I know. Chintamani ji, take the trouble to come here. This is seth Ghasitamalji. His son is to be initiated into learning. On this propitious occasion he wants to honour the gurus.’

Chintamani exclaimed, ‘Oh, we’re grateful! You’re truly praiseworthy. It is because of such benevolent souls that the creation is in a steady state; otherwise the earth would have sunk to the underworld long ago. So sethji, how many brahmins would you like to feed?’

Moteram interrupted him, ‘Why do you put this question to sethji? Talk to me. A count of ten-plus-two would be felicitous.’

Chintamani said, Do you understand, sethji? Make arrangement to feed twelve mahatmas.’

Moteram said to Chintamani, ‘You make an estimate of the provisions needed. Sethji is a blessed son of goddess Lakshmi. About ten sers of amriti would be enough.’

Chintamani said, ‘Ten sers! I alone would...’

Moteram said, ‘Friend, don’t lie. All right, how much kalakand would be needed?’

Chintamani said, ‘You don’t let me speak.’

Moteram replied, ‘No-no. On this you can express your views freely,’

Chintamani said, ‘A maund of kalakand.’

Moteram said, laughing, ‘No-no. We should not overburden our yajman with such a weight of guruship. Let it be ten sers of kalakand.’

Chintamani retorted, ‘Then why do you ask me? You’re a strange person. Whenever we catch a prey you...’

Moteram said, ‘My friend, don’t get worked up. One needs a lot of experience to manage such difficult tasks. What quantity of motichoor ladoos would we need?’

Chintamani said, ‘I don’t know.’

Moteram said, ‘Don’t be angry, my dear friend. I swear I shall accept the quantity proposed by you.’

Chintamani said, ‘Then let it be one ser.’

Moteram said, ‘You’re a big fool, my friend. It does not become a gourmet like you to insult this sweet that even gods get to eat with difficulty. Let it be twenty sers.’

 Consulting in this manner Moteram prepared an estimate and gave it to sethji. In addition he also proposed a gift of one rupee each to the brahmins. Hearing this estimate, Ghasitaram’s head began to reel. For him even one rupee was too much. He said,’ I can’t afford this.’

Moteram tried to comfort him, ‘Don’t talk like that, you son of Goddess Lakshmi, don’t talk like that. God has given you everything. Your son is very lucky. He will bring fame to your family. So, all the people would reach by eight o’clock.’

Ghasite said, ‘Maharaj, I’m very ...’ 

“Yes, yes. It is something to be happy about. The place where the footsteps of brahmins and scholars fall becomes heaven-like.’

Ghasite said, ‘Maharaj, I’m unable to express myself. You have seen my shop. And these days the sales are down...’

‘Moteram assured him, ‘This propitious act would remove all your pain and poverty. Serving the brahmin is like planting a kalpavriksha, the wish-fulfilling tree. Make all the arrangements on time. We won’t be late.’


4
When at the appointed time they all moved towards Ghasite’s house to feast they were unable to contain their joy. They picked up five students from the school to complete the number twelve. It was decided that they would proceed to Ghasite’s house reciting Veda mantras. Shastriji had trained his students in this art so well that people who came to visit the school would become spellbound listening to the recitation. Then they would fall in love with the school. With this tactic Shastriji had won fame in the town. At this moment people were watching the march of students chanting the Veda mantras. One spectator said, ‘This procession is a display of Shastriji’s power.’

Another said, ‘Well said. With Shastriji joining, the school’s reputation has gone up.’

When they reached a turning Moteram said to Chintamani, ‘Just go and see if there is any light.’

Chintamani said, ‘I don’t see any light.’

Moteram said, ‘Why not! You can’t see anything. A gas lamp is burning. Don’t you hear someone talking?’

‘I don’t know. It seems there’s silence all around.’

‘Your pate! I can clearly hear the voices of people talking. See, we have reached. I feel like making a dash. I’m as restless as a long-separated hero feels the moment he approaches his beloved. But what is this? There’s silence all around. May be he is inside.’

‘Should I knock on the door? But the door is locked.’

Moteram asked the neighbouring shopkeeper, who replied, ‘He was at home till the evening. I can’t say about now. Try and see, he should be at home.’

Pandit Moterram knocked on the door with such force the whole house shook, but no one answered from within.

Algu said, ‘Should I break open the lock?’

Moteram stopped him, ‘No, no. He might have gone out to buy the provisions.’

Both the pandits sat down in front of the house. The students started strolling here and there. A whole hour passed like this. Chintamani said in irritation, ‘It seems the rogue has cheated us.’

Moteram said, ‘Yes, now it seems so to me also.’

Chintamani said angrily, ‘If I get hold of the scoundrel I shall catch him by the neck. You crook. Oh you Ghasite bania! Come out. Where are you hiding?’

At this the five students started shouting, calling Ghasite a scoundrel, a sinner, a chandal.

Algu said, 'The rogue’s face is painted black.’

Chintamani said, ‘May he be ruined altogether.’

Bhavani said, ‘If he dies, he‘ll be born as a mole.’

Algu said, ‘He’ll be a donkey. Will keep on braying.’

Moteram was sitting quietly. His head was bowed down out of anger, shame and anguish. At last he spoke quietly, ‘Now we should leave.’

Algu said, ‘ Should I set the house on fire?’

Bhavani said, ‘Shall we throw stones?’

Moteram said, ‘No, son. This is not the way of brahmins. God will punish him for his shameless act. I forgive him.’

As he said this, tears flowed from Shastriji’s eyes. He had never felt so humiliated in his life.

Chintamani tried to mollify him, ‘Bhaiya, you’re feeling wretched for no reason. You should be consoling us. And here you yourself are crying. Whatever is destined by God will happen. But you will see, there will be compensation for this very soon.’

“What compensation, friend? This wound would never heal. How luckless we are that we wait upon others to feed us. At this moment I feel I should die rather than go back to the school. A person who can’t get to feed himself to his satisfaction through his own efforts is worthless. I spent my life toadying the officials, or singing the praises of the rich. Had I spent half that effort to do something different I would have become a respectable human being. Today this crooked Ghasite has opened my eyes.’

Chintamani said, ‘Let’s see what Sona Bhabi has to say.’

Moteram said, ‘My feet are unsteady even now. If you ask me I’m not fit to show my face anywhere. She won’t let me live.’ 
                                    ---   
(First published in Hindi, Smalochak, March-April 1928 )

Glossary

Amriti                      a kind of Indian sweet made from urd dal batter that is given a loopy-flowery shape as it is released into the frying pan, deep fried and dipped in sugar syrup

Kalakand                    an Indian sweet made by boiling milk over slow heat until it is semi-solid and   mixed with sugar

Kalpavriksha                wishful-filling divine tree in Hindu mythology

Maund                         an old measure of weight,  about 37 kilograms

Motichoor ladoo          a sweet prepared from gram flour

Mughdha              a heroine who is youthful, inexpert and bashful in expressing her desire and making love

Ser                               an old measure of weight, a little less than a kilogram

Shradh                      a ritual which Hindus perform annually to honour and remember their ancestors,   especially dead parents, by feeding brahmins  






Monday, July 9, 2018

Premchand's Moteramji Shastri Tetralogy in English translation


Premchand’s Moteramji Shastri Tetralogy

Premchand wrote four stories in which a character named Moteramji Shastri appears in different roles: as a quack Ayurvedic doctor dispensing aphrodisiacs, as a dubious, gluttonous school teacher, as a fake and hypocritical journalist, as a greedy, lascivious, duplicitous and gormandizing brahmin. Premchand uses satire and caricature to ridicule these and some other professions, human failings, social practices, rituals and superstitions.

Here are the titles of the four stories:

1 मोटेरामजी शास्त्री: Moteramji Shastri (Madhuri, January, 1928)

2. मोटेरामजी शास्त्री का नैराश्य: Moteramji Shastri’s Heartbreak (Smalochak, March-April, 1928)

3. संपादक मोटेरामजी शास्त्री: Editor Moteramji Shastri (Madhuri, August-September,1928)

4. पंडित मोटेराम की डायरी: Pandit Moteram’s Diary (Jagran, July,1934)

(The dates of publication and names of magazines in which these stories were published for the first time have been obtained from 'Premchand: Kahani Rachnawali', collected and edited by Dr. Kamal Kishor Goyanka and published by Sahitya Akademi, New Delhi.2012) 





Here is the first of these stories.

                                                     Moteramji Shastri
1
Who doesn’t know Pandit Moteramji Shastri?  He always goes along with the wishes of the government officials. When the Swadeshi movement was on he vehemently opposed it. During the Swarajya movement too he received from the officials a certificate of loyalty to the state. But when after such play-acting his fortune did not wake up from slumber and he could not rid himself of the drudgery of teaching he thought of another stratagem. He went home and spoke to his wife: ‘My head is becoming blank teaching these old parrots. What have I gained dispensing knowledge for so long that I should hope to get anything now?’

The wife, getting worried, said, ‘Do we not need some way to feed us?’

Moteram said, ‘You’re always worried about your stomach. Hardly a day passes when I don’t get an invitation; and even if people criticize me I never come home without a thali-ful of food for you. Will all our yajmans die in one day? But what if we have done nothing in life except filling up our stomachs? We should also enjoy the good things of life. I have decided to become a vaid.’ 
 
His wife asked in surprise, ‘How can you become a vaid? Have you studied vaidic?’

Moteram said, ‘One learns nothing by studying vaidic. In life knowledge is not as important as intelligence. There are a few formulae, that’s all. Today itself I shall prefix the title Bhishagacharya before my name. Who’s going to question whether or not I’m a Bhishagacharya? Why should anyone worry about testing my knowledge? I shall have a big signboard made with these words written on it: “Men and women suffering from unmentionable diseases are specially treated here.”  I shall stock some powdered hud-vaheda-amla. That would be sufficient for the purpose. And, of course, I shall give advertisements in newspapers and circulate notices. The notices will contain names of people living in far-off places like Lanka, Madras, Rangoon, Karachi. These would provide evidence of my skills in medicine. Why should people worry about finding out whether or not these people really do live in these places? Then you’ll see how my vaidic flourishes.’

‘But will it work if you dispense a medicine without knowing about it?’

‘May not work, who cares! A vaid’s duty is to prescribe medicine. He is not contracted to defeat death; and then, everyone who falls ill does not die. And it is my belief that even those who don’t take any medicine recover once the disease has run its course. Vaids earn praise unasked. So even if one among five patients treated by me recovers I shall be applauded. And the four who die won’t come back to denounce me. I have thought deeply about it: nothing can be better than this line. I know how to write articles, and am also good at composing verses. I shall write a few articles on the importance of Ayurveda, inserting here and there a few passages of verse; all using spicy language. Then you will see how so many are fooled. Don’t be under the impression that I have wasted myself teaching old parrots: I have been carefully observing the tactics of successful vaids, and after so many years I have understood the key to their success. God willing, one day you will be loaded with gold from head to foot.’

Suppressing her delight, the wife said, ‘At my age now I have no desire to wear ornaments. But tell me, how you would prepare the medicines, the concoctions, when you have no knowledge of them?’

‘My dear, you’re a simpleton. Vaids need none of these. For a vaid a pinch of ash is the liquid, the powder and the chemical composition; all one needs is some show-off. A big room, a dari, and some vials and bottles on shelves. Nothing more than this is needed; one’s intelligence does all the rest. You will see how effective my writings laced with literary embellishments will be.  You know how well versed I am in alankaras. Today I can think of none who on this earth can match me in my knowledge of alankaras. After all I haven’t been digging grass all these years. Five-to-ten people would always be visiting me to converse on poetry. They would be my agents. Patients would come to me through them. You would see, I shall practise vaidic medicine not on the strength any Ayurvedic knowledge but on that of the heroines of erotic literature.’

His wife spoke in disbelief, ‘I fear even these students would slip through your hands and you would be neither here nor there. You are destined only to tutor students. And after getting kicks from all sides, you would return to tutor these parrots.’

‘Why don’t you have faith in my competence?’

‘Because, in this case too, you would behave deceitfully. I hate your deceitfulness. Why do you want to become what you are not, what you cannot be? You could not become a leader, and gave up in disgust. It is your crookedness that always becomes evident, and I don’t like it. I want you to live like an honest man. But you never listen to me.’

‘After all, when shall I be able to make use of my knowledge of erotic literature?’  

‘Why don’t you become a rich man’s courtier? Recite a few verses before him and he would give you something. Why do you want to become an impostor?’

‘I know such tricks of this trade that were not known even to the forefathers of today’s vaids. All these vaids run here and there just for two-two rupees. I shall fix my fees at five rupees, and the cost of transport over and above. People would think of me as a great vaid. Why else should he charge such a fees, they would say?’

Now the wife felt a little at ease. She said, ‘Only now you have said something sensible. But remember you won’t be able to establish yourself here. You’ll have to go to another city.’

Moteram laughed and said, ‘Do you think I don’t know even this. I shall set up my practice in Lucknow. In just one year I shall establish myself so well that all the vaids there would bite the dust. I know many other tricks. I won’t start treating a person without having examined him a number of times. I would say that I won’t treat a patient until I have fully understood his nature. What do you think?’

The wife was exhilarated. She said, ‘Now I am convinced. I have no doubt your vaidic would flourish. But don’t play these tricks with the poor or you would be in trouble.’ 
   
2
A year went by.

Bhishagacharya Pandit Moteram ji Shastri became famous all over Lucknow. He had good knowledge of alankaras; was a little trained in music too. And on top of it, he was a specialist in the unmentionable diseases! The city’s aesthetes were delighted.  Panditji recited verses for them, entertained them and prescribed potency medicines for them; and they in turn praised panditji sky high among the wealthy who always long for potency-enhancing medicines. He was the only physician who treated unmentionable diseases. He treated his patients in strict privacy. He began to be worshipped among licentious widowed queens and short-sighted pleasure-loving rich. And he became arrogant.

His wife tried to persuade him not to get involved with queens, or, she said, he would regret one day.
But what must happen, will happen, in spite of all admonitions. One of panditji’s admirers was the queen of Bidhal. Raja Sahib was dead and Rani Sahiba was suffering from some unknown ailment. Panditji used to visit her five times a day and Rani Sahiba would not let him go even for a moment. And she would become restless if panditji was late in coming. A motor always stood at his doors. Panditji had undergone great transformation. He wore a tanzeb achkan, donned a Banarasi turban and wore pump shoes. His friends too enjoyed motor-rides with him. How could Rani Sahiba show disregard to her Messiah?

But cruel Time was spinning another conspiracy.

One day, while panditji was feeling Rani Sahiba’s pulse by holding her white wrist in one of his hands and examining her heart with his other hand, some people carrying sticks entered the room and attacked him. The Rani ran away and shut herself into the adjoining room. Sticks rained down on panditji. Although panditji was a man of sturdy built and always carried a sword sheathed in a hollow stick he was helpless against this sudden assault by a gang of people. He caught now this man’s feet, now that man’s. The words ‘hai, hai’ flowed nonstop from his mouth but those cruel men showed no mercy. One of the men kicked panditji and said, ‘Let’s cut his nose.’

Another said, ‘Smear his face with soot and lime and let him go.’

The third said, ‘Speak out vaidji maharaj, what would you prefer? A severed nose, or a face painted black.’

Panditji cried, ‘Hai hai, I’m dying. Do what you like, but don’t cut my nose.’

One said, ‘Would you ever come here again?’

‘No, never, sarkar. Oh, I’m dying.’


Another said, ‘Get out of this city today itself, or something worse would happen.’

Panditji said, ‘Sarkar, I shall go today itself. I swear by my sacred thread. You won’t see my face again.’

The third said, ‘All right. Let each one of us give him five kicks, and then let him go.’ 

Panditji pleaded, ‘Oh, sarkar, I’ll die. Have pity on me.’

The fourth said, ‘Impostors like you are best dead. Oh yes, begin.’

The fivesome kicks began to rain. Sound of kicking could be heard. It seemed as if a drum was being pounded. Each burst of kicks was followed by the cry ‘hai’, as if it was an echo.

After fivesome thrashing the attackers dragged Moteram ji out and put him into the motor and sent him home. And he was warned that he should quit the town next morning or he would be given another treatment.

3
 Limping, groaning, walking on his stick Moteram ji reached home and collapsed on his cot. His wife asked, ‘How’re you? Arre, what is this? Hai-hai, what’s wrong with your face?’

Moteram replied, ‘Oh God. I’m dying.’

His wife said, ‘Where is the pain? That’s why I told you not to eat too much rabdi. Shall I bring lawan-bhaskar?’

Moteram cried, ‘Hai, the scoundrels nearly killed me. That chandalini is responsible for this miserable state. Thy have beaten me into pulp.’

‘Why don’t you say you have been thrashed. Yes, so it looks. They did it right. You are a god who deserves only thrashing. I used to warn you against going to that Rani. But you never listened.’

‘Hai-hai, you slut! You have chosen this occasion to berate me. I’m in such a wretched state and you are reviling me. Tell someone to bring a cart. We have to get out of Lucknow during the night. Otherwise they would kill me.’

The wife went on, ‘No, you still haven’t had your fill. Spend some more days here. You were tutoring boys without a care, and you thought of becoming a vaid! It served you right. You won’t forget it whole of your life. Where was the Rani? Why didn’t she come to your rescue when you were being thrashed?’

Panditji replied ‘Hai-hai, the chudel ran away. It was all because of her. Had I known this I won’t have treated her.’

‘You are really unfortunate. Your vaidic was going well but your misdeeds ruined you. You have to go back to tutoring. You’re indeed unfortunate.’

                                                                      ****
Early in the morning a cart stood at Moteram ji’s door and it was being loaded. Not one among his friends could be seen there. Panditji was groaning and his wife was having their effects loaded.
                                                                            ---    

(First published in  Hindi, Madhuri, January 1928)

Glossary
Achkan                      men’s clothing that reaches to the knees with buttons down the
                                  front
Alankara                   figures of speech used as embellishments in poetry

Chandalini                low caste woman, a wicked woman

Chudel                      an evil spirit, a wicked woman

Dari                          a thick cotton carpet

Hud-vaheda-amla   dried fruits of three trees that have great medicinal value,
in Ayurvedic medicine


Lawan-bhaskar          Ayurvedic powder, good for indigestion

Rabdi                        thick cream that is obtained by heating milk on low heat for a long
                                   time
Tanzeb                     muslin, a kind of embroidery on muslin

Thali                         a brass plate in which food is served

Vaidic                       Ayurvedic system of medicine

Yajman                   Hindu upper caste person for whom a brahmin performs certain 
religious rituals for a payment in kind or cash



Sunday, September 3, 2017

Lal Singh Dil: Selected Poems - Punjabi poetry in translation

Friends viewing my blog would be interested to know that my book of translations of  Punjabi revolutionary poet Lal Singh Dil  has been published. Find below  the front  and back cover of the book and an inside note on what the poems are about. A few poems of this poet have already appeared on this blog. Five of these poems were published in the translation Magazine MPT (Modern Poetry in Translation) issue: series 3 Number 18 - Transitions, published from Oxford UK in 2012, and two of them were reproduced in MPT's golden jubilee anniversary publication 'Centres of Cataclysm', Bloodaxe Books, in 2016.






                          




see links: http://www.mptmagazine.com/page/poems/?lid=212

http://www.mptmagazine.com/